Cafe Aphra: An Online Community for Writers

Greetings all, If you enjoy hanging out in Cafe Aphra, you may like to check out this recent interview with the current editor, Sara Roberts: Six Questions For... Writer Jim Harrington has set up this excellent blog with a series of interviews called 'Six Questions For...' with editors of various literary magazines and journals. It's a really fantastic resource, with an incredible number of magazines listed, and w ell worth following for all those of us who are interested in submitting work for publication. Thanks Jim!

The boss was angry when I called in dead again. I could tell by the way he didn't respond, gave nothing but a frustrated huff and clattered the phone back to its cradle. Still, there was too much undone to take the day off, so I went to the office as usual. First stop, coffee, but no one would serve me. Not even Yolanda who knew my usual. She didn't even smile, in fact yelled NEXT to my face and beamed at the fellow behind me. He pushed me out of line. Nearly missed the bus. It didn't help that the driver practically shut the door with me in it. She was upset, probably because I'd forgotten my pass, but she didn't need to gun the bus forward when I hadn't even found a grab-rail. No one bothered to help me up off the floor. The only thing I can figure is the boss sent an email. What else explains the reason for the entire office to snub me? Karen, on the front desk, who for years showed me photos of cats, didn't even speak. My office mate didn'

I can’t stop looking at the vase. I was silly to get it out this year. Its loud emptiness is worse than not seeing it at all. If I’d known last year, I wouldn’t have been so casual about throwing away the flowers. I would have pressed them on to card, covered them with cellophane, sealed them forever. The breeze blows the curtains and they tickle my arms. I turn my face to the window, the sun hot through the glass.  I worried about this house being too secluded once, too remote. But he was a country boy, convinced me it was a good idea. He was right. We have been happy. And at least I don’t have to worry about the neighbours judging him now.  My eyes fill with tears as I watch him out there. Completely naked, rolling down the grassy slope in the garden, shrieking like a little boy. I’m worried he is going to break something, but he never seems too. His mind thinks he is young so his body agrees, I guess. My heart is a stone in my chest, my throat contracting. I want

Cell by cell the baby made herself, the cells Made cells. That is to say The baby is made largely of milk. Lying in her father's arms, the little seed eyes Moving, trying to see, smiling for us To see, she will make a household To her need of these rooms - Sara, little seed, Little violent, diligent seed. Come let us look at the world Glittering: this seed will speak, Max, words! There will be no other words in the world But those our children speak. What will she make of a world Do you suppose, Max, of which she is made. by George Oppen (Poem taken from this  article about U.S. poet Nick Flynn .)  I particularly enjoy this quote by Flynn on writing prose and poetry: “The way I write I don’t see much distinction between the two, although prose seems more suited to daylight, and poetry to night. I try to cook both down to something essential—by the end hopefully some balance between mystery and clarity remains.”